|11 May 1914 - 5 Aug 2001|
Jyotsna Bhole was a renowned vocal and Marathi stage artist. She was born Durga Kelekar on May 11, 1914 in Bandivade Goa, to Shri Wamanrao and Radhabai Kelekar. Radhabai had 14 children, of whom 4 passed away in infancy and a son in his twenties. The last of the siblings died in 2012.
From early childhood Durga showed a tremendous inclination towards music. At the Mahalakshmi temple just outside their home in Goa, the sanai and chaughada welcomed the dawn. Bhajan gatherings as well as small concerts held in the temple only fuelled this inclination.
When Ramakrishna Vaze (Vaze-bua) returned to Goa from the north Durga's older sisters Girijabai Kelekar and Kesarbai Bandodkar began learning classical music from him. By the time she was 8, Durga was memorising and singing whatever her sisters learned. So Girijabai took her to Mumbai, where she began learning from Vilayat Hussein Khan of Agra gharana and later, from Khadim Hussein Khan, also of the Agra gharana. By the time she was 13, she was making a name for herself. Master Dinanath Mangeshkar, a close friend of the Kelekar family was very appreciative of young Durga and a strong influence on her musical style. In 1925, Naganath Khote of Bombay Broadcasting Company heard Durga at a concert and invited her to sing on radio, for which she was paid Rs 10. After that, she began to be invited several times a month to sing on radio.
|24 May 1896 - 10 Nov 1977|
By the time Durga was 16 Marathi bhavgeet was slowly beginning to gain popularity among audiences, and singer-composer Shri Keshavrao Bhole was at the forefront of this wave. Durga began learning bhavgeet from him.
In 1932, when Durga was 18, Keshavrao and she were married. At the time, Keshavrao was music composer for the movie Sant Sakhu. Durga was assigned a role in the film. The producer changed her name to 'Jyotsna' because there was another actress Durga (Durga Shirodkar) in the film. Thenceforth, Durga Kelekar became known as Jyotsna Bhole.
|10 Apr 1907 - 1 Feb 1995|
Later, Jyotsnabai trained under Tanras Gharana exponent Inayat Hussain Khan as well as Mohammad Hussein Khan in Pune. Ramkrishna Vaze too, used to teach Jyotsnabai in Pune. Keshavrao continued to guide Jyotsnabai.
Jyotsnabai's stage career began in 1933. Her first play was Andhalyaanchi Shaala, a Natya Manvantar production directed by Keshav Date. A landmark play that broke away from traditional stage productions, it had more than a 100 performances.
Then, in 1941, Shri Motiram Gajanan Ranganekar founded Natya Niketan. Jyotsnabai acted in their first production Ashirwad. She went on to act in several Natya Niketan plays, but it was Kulavadhu's Bhanumati that she became synonymous with. This play and Jyotsnabai's portrayal of Bhanumati created a special place in people's hearts. it enjoyed 2 decades of popularity and had more than 2500 performances. Later, Jyotsnabai became a partner in Natya Niketan. In 1960 she wrote, directed and produced a play called Aradhana. She retired from the stage in 1965.
In 1953, Jyotsnabai represented India on a cultural mission to China. A few years later, she also visited Nepal. In the course of her musical career she performed in the USA, Canada, UK, and all over India, apart from giving many radio performances. In 1981, she was chair of Maharashtra Natya Sangha, in a world drama festival held at Seoul, Korea.
She also authored two books: an autobiography Antarichya Khuna and a compilation of letters written to her by well-wishers and friends titled Tumchi Jyotsna Bhole.
Jyotsnabai received many acknowledgements for her contribution in the field of music and theatre. In 1969 she received the Balgandharva Puraskar, in 1976 the Sangeet Natak Academy award in New Delhi, and in 1980 the Vishnudas Bhave medal. In 1984, she was unanimously chosen President of Akhil Bharatiya Marathi Natya Sammelan, which, to her great joy, was held at her birthplace, Goa, that year. She was also Chair of Maharashtra Cultural Centre for several years and an active organiser of their programmes. Maharashra Cultural Centre has named their auditorium 'Jyotsna Bhole Sabhagruha' in her memory.
A Beloved Personality
Jyotsnabai was dearly loved by friends and audiences alike, and they have been effusive in their praise of her musical quality, her stage presence, and her warm, lively nature.
Maharashtra's beloved humourist, P L Deshpande, wrote about Jyotsnabai and his experience at Natya Niketan (translated): "Professional or business ties are made and broken, but there was one thread apart from these that tied us all together, and this was (through) Jyotsnabai."
Balgandharva is known to have commented when he was chairman of Natya Sammelan: "After me I can only see Jyotsnabai."
Gajanan Kher, superb violinist, who often accompanied Jyotsnabai (translated): "It was her special ability, that she did justice to the varied expectations of each composer and yet left her own stamp on every song she sang."
Cartoonist Mangesh Tendulkar (translated): "Jyotsnabai's songs have accompanied me all my life... sometimes, when I sit up on the terrace by myself I remember all these songs - just as I heard them many years ago."